Confession of a basalt addict

They say the first step in addiction is to admit it. Okay, I like basalt. I like to travel to see it. I like to know how it has influenced our planetary history. I like how it creates such wonderful scenery so rich in color and texture. I like how it shows that nature bats first, and in many places last and clean-up. In essence I am what you might call a basaltophile.

I realized this recently on a vacation to Hawaii’s big island. This was the second time in less than a year that I spent time on an island of basalt. The first was last year on a trip to Iceland. In each place, basalt dominated the landscape. I don’t use dominated lightly. I mean it in the dictionary definition of “to bear rule over, control, sway; to have a commanding influence on.”

When you travel in Hawaii and Iceland, you quickly learn that basalt is what rules these islands. Drive down a road and you will discover how it weaves through lava flows, unless, of course, it simply disappears under the lava. Read stories about the islands’ histories and you will learn how basalt has shaped the actions of where and how people lived. Look at tourist brochures and you will see how promoters exploit the splendor of basalt to draw in visitors.

[nggallery id=22]Part of the attraction is the beauty of the basalt, but part of it is the raw nature of the rock. On Iceland and Hawaii, you feel the primal personality of the planet. Exploding geysers, bubbling hot springs, oozing molten rock, this is how Earth was in its earliest days. It was a harsh and dangerous place, and yet seeing how life has taken root on these islands, it takes little imagination to envision some form of existence starting to evolve and flourish those billions of years ago.

Because of the youth of the basalt—on Hawaii we saw flows less than a year or so old—both islands have a dynamic feel. On Iceland, we experienced the eruption of Grimsvötn, which shut down the airport and curtailed our travel plans. On Hawaii, the ongoing spewing of toxic gases from Halema’uma’u crater prevented us from hiking several trails. Where else would you see signs that read “Stay on trail. Dangerous earth cracks in park area”?

That dynamic also gives Iceland and Hawaii a raw and unformed feel. The islands are in a constant state of change, growing with new lava flows and disemboweling themselves with eruptions. Hiking around Iceland, I was struck by how moss was often the lone plant life, as if only primitive vegetation veneered a primitive land. Hawaii does have its tropical rainforests, which at times made the island seem far older, but I also saw huge areas devoid of any plant, or even any animal. When driving, I found you could not always trust a map, as some geologic disaster might have simply erased a road or bridge.

The story of basalt is one that stretches back to the earliest days of Earth and continues unabated to the present. It is a story that shapes our planet and our species. It is a story that shows that geology is alive and well, and often kicking some butt. What more could a basaltophile want?

 

Accretionary Wedge – Beautiful Countertops

As someone who focuses on building stone and the use of stone in non-natural situations, it was a pleasure to read about Ian’s Accretionary Wedge #42. He asks “Have you seen a great countertop out there?  Sure, everyone says it’s “granite”, but you know better.  Take a picture, post it on your own blog or send it to me and I’ll post it for you.  Do you think you know what it is or how it was formed?  Feel free to include your own interpretation and I’m sure others will enjoy joining in the discussion.”

He raises a good point that in the countertop trade rocks seem to come in just two varieties: marble and granite. If it looks granular or granitic, it is a granite. If it looks marbled or veiny, it is a marble. One of the few places that I have seen another type of stone mentioned was in Bloomington, Indiana, where I saw an add for apartments that included limestone countertops. This makes sense because of the location, in the heart of the Indiana stone belt.

Trying to choose one favorite countertop or other human-manipulated stone is a challenge. I have written about some of my favorites, the wonderful treestump gravestones of Indiana, but thought I would turn to another rather unusual stone structure. I have never seen it but have read about it. It is William Buckland’s Coprolite Table on display at the Lyme Regis Museum. That site contains a link to nifty, in-depth article about the table. Here’s a quick summary.

Both photographs from Richard Bull’s fine paper on the table.

Reverend William Buckland was an eccentric Oxford geologist who coined the term “coprolite,” meaning “dung-stone,” in 1829. The table was made from coprolites most likely collected at Wardie, Edinburgh, in 1834. It was on display in his drawing rooms he had a two homes. Making up the surface of the table are “64 sectioned oval coprolitic nodules,” which closely resemble beetles but are in fact fish poops. They come from a 330-million-year old shale deposited in a freshwater lake.

In 1836, Buckland wrote about the coprolites in his famous Bridgewater Treatise:

Mr W C Trevelyan recognised Coprolites in the centre of nodules of clay ironstone, that he found in a low cliff composed of shale, belonging to the coal formation at Newhaven, near Leith. I visited the spot, with this gentleman and Lord Greenock, in September 1834 and found these nodules stewed so thickly upon the shore, that a few minutes allowed me to collect more specimens than I could carry. Many of these contained a fossil fish, or a fragment of a plant, but the greater number had at their nucleus, a Coprolite, exhibiting an internal spiral structure: they were probably derived from voracious fishes, whose bones are found in the same stratum. These nodules take a beautiful polish, and have been applied by the lapidaries of Edinburgh to make tables, letter presses, and ladies ornaments under the name of Beetle stones from their supposed insect origin.

The Lyme Regis Museum acquired the table in 1928 as a gift from Buckland’s grandson.