Mikado Street in Seattle

I have read in a variety of books, articles, and web sites that one of the earlier signs of the presence of Japanese in Seattle was the street name “Mikado Street.” The reference, I believe, is to Augustus Koch’s 1891 Bird’s Eye View of Seattle, which includes the street on it. Below is the map and here’s a typical line about the street. “Their [Japanese] influence can be seen all the way back to the late 1800s, when Dearborn Street was named Mikado Street.”

Close-Up of Mikado Street 1891 Koch Bird's Eye
Close-Up of Mikado Street 1891 Koch Bird’s Eye

Although this sounds credible, I don’t think it is correct to attribute the name to the presence of Japanese in Seattle. Mikado Street was named in 1886 as part of what is known as Terry’s Fifth Addition to the City of Seattle. Terry refers to Charles Terry, one of the Denny Party, or founding families of Seattle. He had owned large sections of Seattle, which his descendants later platted. This particular plat of Terry’s estate was planned by Erasmus M. Smithers (what a wonderful name) and Franklin Matthias.

Close up - Terry's Fifth Addition
Close up – Terry’s Fifth Addition

Within the legal description of the plat, Smithers and Matthias describe that all of the streets but one are prolongations of preexisting streets. Only Mikado is new. Nowhere do they state the origin of Mikado. This was typical, that the people planning the plat would either continue preexisting streets or come up with names for the new ones.

The main reason I think that Smithers and Matthias didn’t choose Mikado for its connections to Japanese immigrants into Seattle is that there were fewer than a dozen Japanese living in Seattle in January 1886 (Issei: A History of Japanese Immigrants in North America). Plus, I cannot find any connection between Japan and Smithers and Matthias.

But 1885 was the year that Gilbert and Sullivan’s opera The Mikado debuted in London. It quickly became hugely popular. H.L. Mencken later wrote that by the end of 1885, 150 companies had performed the show. In December 1885, the Seattle P-I reported on the “Mikado craze,” with Mikado rooms being built in Manhattan mansions. Perhaps more relevant to Seattle’s story, on January 8 (10 days before Smithers and Matthias filed the plat), The Mikado opened at Frye’s Opera House in Seattle.

Of course, this is circumstantial evidence but it does seem more likely that Smithers and Matthias chose Mikado for the popularity of the opera than for an acknowledgment or honoring of the Japanese in Seattle. If anyone has other  ideas, I would be happy to hear them.

In 1895, the city of Seattle changed Mikado Street to Dearborn Street. Section 276 of Ordinance 4044 (which changed more than one hundred street names) states: “That the names of Alaska Street, Mikado Street, Modjeska Street, Cullen Street, Florence Street and Duke Street from Elliott Bay to Lake Washington, be and the same are hereby changed to Dearborn Street.”

The Mikado - Seattle P-I, January 8, 1886
The Mikado – Seattle P-I, January 8, 1886

New books

Congratulations to two friends on their new books.

Dave Tucker‘s Geology Underfoot in Western Washington has its official book release on Tuesday, May 12, at 7PM, at the Whatcom Museum Rotunda Room in Bellingham. Dave will discuss the inside story of how the book came to be, tell how I put it all together, read a very short excerpt [he promises not to bore you], and sign books. Books will be for sale by Village Books, who is hosting the release along with North Cascades Institute and the Museum. For those who can’t get to Bellingham, Dave will also talk at the University Book Store in Seattle on Monday, June 15 at 7PM.

Priscilla Long‘s new book of poetry Crossing Over Poems will be out in July. Here are a few nice thoughts on her book.

“Memory is a bridge, poet Priscilla Long reminds us in this shimmering, elegantly-structured collection: these poems lead back to the bright sources of longing and grief, guided by Long’s excellent and playful ear, passion for language, and spine-tingling insights.  Crossing Over interlaces elegies—including a gorgeous series for a lost sister—with remembered love, human tragedy, dreamy sensation, moody northwestern landscapes, and bridges—real and metaphorical. The joy of creation leavens every poem. I have long anticipated this book: it was so worth the wait.” –Kathleen Flenniken, erstwhile Poet Laureate of Washington State

“This is a poet obsessed with bridges and crossings, as the title of the collection implies: chaos to order; grief to acceptance; solitude to connection; confusion to understanding; life to death; past to present; dark to light–themes as old as poetry.”–Samuel Green, author of All That Might Be Done, Inaugural Poet Laureate of Washington State